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  • LCD Soundsystem

    Sound of Silver (DFA/Capitol)

  • Action Action

    7 p.m. Sunday, July 2. Creepy Crawl (3524 Washington Boulevard)

  • Drive-By Truckers

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  • Matchmaker, Matchmaker

    B-Sides finds other Franken-guitars to match Junior Brown's creation, earns some holiday cash on eBay and discovers that Milemarker and My Chemical Romance have more in common than you'd think

  • Suicide Machines

    Tuesday, November 29; Creepy Crawl (412 North Tucker Boulevard)

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

The Paybacks

Thursday, July 29; The Way Out Club

By Chris Parker

Published on July 28, 2004

Some bands rock. Some even kick ass. Then there are those who deliver their sound with the loud, wet thwack of a baseball bat across the back of your head -- popping your eyes out of your skull like a lighter freeing a bottle cap -- then proceed to skull-fuck the empty sockets. The Paybacks are just such a band.

Hailing from garage-rock central, Detroit, the Paybacks play with fury and ferocity enough to make the Von Bondies' Jason Stollsteimer their bitch and knock Danzig on his ass. Led by singer/guitarist Wendy Case, the Motor City quartet roars through the neighborhood frequented by the Cynics, Billy Childish and the Stooges -- which is to say raw, primal garage that's nastier than the thoughts making the circuit of R. Kelly's mind. Case sings with a guttural growl most male singers would kill for and invests it with a rugged, back-alley sexiness that struts above the guitar grime the Paybacks lay down like some fiendish Hell-spawned despot. While their second album, Harder and Harder, is a hard-boiled slab of distortion and attitude, it only hints at the power and passion of their live performances. In this case, seeing is believing.



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