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Recent Articles

Recent Articles by Christian Schaeffer

  • David Bazan

    9 p.m. Friday, December 5. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard.

  • Harry Connick, Jr.

    7:30 p.m. Sunday, December 7. The Fabulous Fox Theatre, 527 North Grand Boulevard.

  • Shawn Colvin

    8 p.m. Wednesday, December 10. The Pageant, 6161 Delmar Boulevard.

  • Cassie Morgan

    Pine So Sweet EP
    (self-released)

  • Trans-Siberian Orchestra

    3 p.m. and 8 p.m. Friday, November 28. Scottrade Center, 1401 Clark Avenue.

National Features >

  • Broward-Palm Beach New Times

    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

Cursive

The Difference Between Houses and Homes (Saddle Creek)

By Christian Schaeffer

Published on August 31, 2005

The subtitle of this compilation, "Lost Songs and Loose Ends 1995-2001," might very well be replaced by a big, blood-red "FANS ONLY" stamp. The twelve tracks collected here bring together the band's stray seven-inch sides and unreleased tracks -- a fact that, by design, will attract only the most obsessive troops in the Cursive army. The Pixies-on-crank opener, "Dispenser," the earliest track of the bunch, stands out for the streamlined combination of early Cursive's best traits: rising guitar leads, fuck-off lyrics and vocal eruptions. Perhaps the most remarkable thing about Houses and Homes is seen when charting the growth from these chaotic, buzzy songs to the more recent cello-fied, cinematic suites. Young Tim Kasher had not yet discovered that his panting whispers (a hallmark of Domestica and The Ugly Organ) are far more piercing and unsettling than his strained screams.



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