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Recent Articles
Recent Articles by Jason Bracelin
In 2005, longhairs got more progressive than ever
Monday, December 12; Frederick's Music Lounge (4454 Chippewa Street)
Green Day's politicking is simple but effective
We list this year's real stinkers, get some critical advice from the folks and look at some scary new downloading laws
This year, blood-soaked extreme metal took its rightful place in the world of heavy music.
National Features >
Broward-Palm Beach New Times
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Deadboy & the Elephantmen
Monday, December 12; Frederick's Music Lounge (4454 Chippewa Street)
Published on December 07, 2005
Dax Riggs has one of those lived-in voices that occasionally makes him sound several decades older than he actually is. The thirtysomething Louisiana native first gained notoriety as the frontman for soot-black cult metal favorites Acid Bath, where Diggs' weathered, world-weary voice added some welcome soul to the band's thrash they were one of the few death metal-influenced groups that you could actually sing along to. With Acid Bath long defunct, Riggs has returned in the spare, bluesy duo Deadboy & the Elephantmen. He occasionally duets with drummer Tessie Brunet, whose pretty, childlike voice contrasts sharply and sweetly with Riggs' wizened rumble. On their debut, We Are Night Sky, Riggs and Brunet sing together quietly, with only some gently plucked acoustic guitar fanning their flickering voices. But Riggs is also fond of ratcheting up the volume, leading the band through bloodletting blues stompers and Screaming Trees-esque rockers.