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Broward-Palm Beach New Times
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Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Bonnie "Prince" Billy
Summer in the Southeast (Sea Note)
Published on December 14, 2005
Alt-country's answer to Frank Abagnale, Will Oldham has recorded under such pseudonyms as Palace Brothers, Pushkin and Superwolf. Although his work under these names has gravitated toward eleventh-hour Dust Bowl despair and acoustic minimalism, Oldham has spent much of the twenty-first century loitering as the warbling country-gent Bonnie "Prince" Billy. The changeling Prince is as laid-back as J.J. Cale or even Jimmy Buffett, and on Summer in the Southeast, Oldham seems lost in his own private Margaritaville albeit one reimagined by Southern gothic writer Flannery O' Connor. Oldham's band plays wobbly, woolly, drunken-shout-along versions of chestnuts such as "Wolf Among Wolves" and "I See a Darkness." But it's when the band grows menacing, as it does on sinister versions of "A Sucker's Evening" and "Death to Everyone," that it unleashes the beast within.