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Recent Articles
Recent Articles by Annie Zaleski
7 p.m. Monday, November 24. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.
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National Features >
Broward-Palm Beach New Times
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Pink Spiders
Thursday, January 19; Creepy Crawl (412 North Tucker Boulevard)
Published on January 18, 2006
Like Cheap Trick with less gloss and more edge or Elvis Costello had he been a fan of raging keggers the Pink Spiders blast onstage full-throttle. At a November show held in a Saint Louis University gym, the Nashville-based group made the best of the venue's echoing acoustics and debuted catchy, ragged songs from their upcoming major-label debut, Teenage Graffiti (which was produced by Cars svengali Ric Ocasek). Formed less than three years ago, the Pink Spiders self-released an EP in early 2004 and sold nearly 4,000 copies of it while road-tripping with bands such as the Letters Organize. The impressive CD sales attracted interest from CI Records, who released the band's full-length debut, Hot Pink, last year. Unsurprisingly, that disc conjures the era when rockers came saddled with their own larger-than-life mythologies. Take the swaggering attitude of the Stones, the primitive swing of early Beatles, the devil-may-care hooks of snotty punks and charismatic personalities including Bob Ferrari, who christens himself "World's Greatest Drummer" on his MySpace profile and these Spiders weave a web of venomous rock & roll.