Music
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- Reborn On Date: St. Louis' largest locally owned brewery gives its flagship a makeover
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- D.I.Y. Now for the Future: The Undertow Collective and Magnolia Summer are using technology to modernize their D.I.Y. creative vision
- STD-Day: The recent HIV scare at Normandy High School has prompted cries for better sex education
- Tattered Tale: A dubious sex and drugs complaint has a St. Louis police officer demanding justice
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National Features >
Broward-Palm Beach New Times
The Lost Season
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Border Crossers
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
Deadly Evidence
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Toni Braxton
Sunday, March 26 at 8 p.m. The Pageant (6161 Delmar Boulevard).
By Toriano L. Porter
Published on March 22, 2006
She's sexy, sultry, sensual and she can sing. She's Toni Braxton, and she happens to be one of the more consistent R&B divas to remain visible in a fad-driven genre. The then-thick-hipped, short-cropped Braxton debuted on the scene in the early 1990s with the Babyface-produced smash singles, "Give U My Heart" and "Love Shoulda Brought You Home" (both from the Boomerang movie soundtrack). She continued her ascent with multi-platinum-selling albums (such as Secrets), movie credits (Kingdom Come) and Broadway gigs (Beauty and the Beast). Married with children and with a successful album (Libra) in tow, Toni B. comes to town with the rare gift that evades so many in the music industry: staying power.
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