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Recent Articles by Andrew Miller

  • Sworn Enemy

    7 p.m. Tuesday, April 22. 2 Cents Plain, 1114 Olive Street

  • Coliseum

    7 p.m. Sunday, April 20. 2 Cents Plain, 1114 Olive Street

  • Tesla

    7 p.m. Saturday, February 16. Pop's, 1403 Mississippi Avenue, Sauget, Illinois

  • Oh, Sleeper

    6 p.m., Monday, January 7. Creepy Crawl, 3524 Washington Boulevard.

  • The Action Design

    8:30 p.m. Wednesday, November 28. Cicero's, 6691 Delmar Boulevard, University City

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Flee the Seen

Saturday, April 15, at 7 p.m. The Hi-Pointe (1001 McCausland Avenue)

By Andrew Miller

Published on April 12, 2006

 Flee the Seen's just-released debut full-length, Doubt Becomes the New Addiction, opens with the 45-second track "Celebrate the Static," all air-raid guitars and aggravated-banshee wails. Its live sets often start with the same song, during which band members jerk their bodies in a violent yet austerely angular manner, like possessed androids. After the initial jolt, Doubt delivers ten uniquely melodic, uniformly hopeful hardcore tunes, with singers Kim Anderson and R.L. Brooks swapping screamed encouragements. Onstage, the intensity never wavers, because the band's constant motion (especially Brooks' unhinged guitar-slinging) ensures even its catchiest, sweetest-natured songs get sweaty.



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