For Florida's sole remaining sex surrogate, love is a many splintered thing.
It's not just giant companies cashing in on America's defense industry.
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
A diner's guide to Texas's oldest Mexican restaurants.
The following previews were written by Luke Y. Thompson, Jordan Harper, Melissa Levine and Robert Wilonsky.
The Break-up
(Universal)
Starring: Vince Vaughn, Jennifer Aniston and Jon Favreau
Directed by: Peyton Reed (Bring It On )
Written by: Jeremy Garelick, Jay Lavender and Vince Vaughn
What it's about: Vaughn and Aniston play a couple on the outs, neither of whom wants to abandon the house they share. So they take turns pissing each other off; it's a bit like The War of the Roses, only nobody dies. Far as we know.
Why you should see it: At their best, Vaughn and Aniston have the whole comedy thing down pat.
Why you should not: Test audiences absolutely despised the ending, so a new, happier one was recently reshot.
Loverboy
(THINKfilm)
Starring: Kyra Sedgwick, Matt Dillon and Marisa Tomei
Directed by: Kevin Bacon
Written by: Hannah Shakespeare, based on the novel by Victoria Redel
What it's about: This first notch in Kevin Bacon's feature-directing belt stars Sedgwick as an overprotective mother who must send her son off to school for the first time. Will she watch him bloom into a man, or possibly resent another woman in his life and go all wacky?
Why you should see it: That special something that has made Bacon the 0th degree in our celluloid consciousness might reveal cinematic genius.
Why you should not: What are the odds of Bacon being a triple threat of decent actor, middling musician and awesome director?
The Omen
(Fox)
Starring: Liev Schreiber, Julia Stiles and a freaky evil kid that isn't Dakota Fanning for once
Directed by: John Moore (Behind Enemy Lines)
Written by: Dan McDermott
What it's about: A prominent ambassador (Schreiber) adopts a little boy who turns out to be the son of Satan. They already made this movie a bunch of times already, but June 6 will be 6-6-06, which seems reason enough for another half-baked remake.
Why you should see it: The 1976 Richard Donner movie didn't exactly cry out for a do-over, but at least this one has a high standard to aim for.
Why you should not: Compelling remakes of '70s horror movies come around about, oh, never.
A Prairie Home Companion
(Picturehouse)
Starring: Meryl Streep, Kevin Kline, Lindsay Lohan and Garrison Keillor
Directed by: Robert Altman
Written by: Garrison Keillor
What it's about: Set behind the scenes of Keillor's beloved National Public Radio show, the movie chronicles a fictional finale in which the St. Paul station that airs the show has been sold to a Texas conglomerate.
Why you should see it: It is a great movie a two-hour good-time grin with some surprising moments of heartbreak.
Why you should not: Fact is, even if you don't love Keillor's show or Altman's movies, this sucker packs some profound magic. Perhaps that's not your thing either?
Cars
(Disney)
Starring: The voices of Owen Wilson, Bonnie Hunt and Paul Newman
Written and directed by: John Lasseter (Toy Story, A Bug's Life)
What it's about: Wilson plays hotshot racer Lightning McQueen, who gets stuck in podunk Radiator Springs, where antics and puns ensue, and, shucks, he just might learn a little something about life.
Why you should see it: This is Pixar, people. Their mixture of eye-popping animation, anthropomorphic characters and celebrity voices haven't yielded a single dud.
Why you should not: Something in the trailers suggests this might be the movie where the Pixar formula goes astray. After the talking toys, fish, monsters and insects, cars just seem a little pedestrian.