Most Popular
Most Popular sponsored by
Blogs
Tue Aug 19, 2:20 PM
Mon Aug 18, 9:12 AM
Tue Aug 19, 5:22 PM
Tue Aug 19, 2:48 PM
Tue Aug 19, 4:06 PM
Tue Aug 19, 12:11 PM
Tue Aug 19, 4:29 PM
Tue Aug 19, 12:21 PM
Recent Articles
Recent Articles by Roy Kasten
7 p.m. Thursday, May 29 and Friday, May 30. Argosy Casino– Alton, 219 Piasa Street, Alton, Illinoi
7:30 p.m. Wednesday, March 26. The Fabulous Fox Theatre, 527 North Grand Boulevard.
No related articles found
National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Miami New Times
Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.
By Lee Klein
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
Joss Stone
Introducing Joss Stone (Virgin)
Published on April 11, 2007
The young, urban starlet is a wondrous thing to behold, isn't she? Well, no, not usually particularly because, in this day and age, we associate her with multiple nether-region piercings, embarrassingly out-of-it public appearances and the urge to dry-hump everything in sight. Given all of that, the coming-out party for twenty-year-old British vocalist Joss Stone on album number three is relatively sedate but only intermittently satisfying. When she and producer Raphael Saadiq hit, they hit big, pushing tempos beyond hip-hop's usual BPM. Songs such as "Put Your Hands on Me" and "Girl They Won't Believe It" draw direct links to Motown, even as they maintain a contemporary sheen. At those moments, Introducing sounds like it's the bridge between neo-soul and modern R&B. But over the course of these fourteen tracks, the sex eventually outlasts the melodies, leaving Stone's big, boisterous voice to broadcast her new self too much and too often.