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National Features >
Village Voice
The Book of Sarah
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Building Overtime
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Don't Nobody Cry
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Open Secrets
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Today is the Day
7 p.m. Wednesday, September 19. Creepy Crawl, 3524 Washington Boulevard.
By Kami Arnold
Published on September 12, 2007
Nashville may not be the first place that comes to mind when one thinks of experimental metal, but don't tell that to Today Is The Day's Steve Austin. Since the early '90s, Austin and a rotating crew of background musicians — including, at one point, Mastodon's Bill Kelliher and Brann Dailor — have been making records that concurrently straddle metal, noise and art-rock. After stints on a handful of indie-metal labels, Austin started SuperNova Records in 2006 and this year released Today is the Day's latest, Axis of Eden. Almost two decades into the game, Austin still hasn't lost his original aggressiveness, and this incarnation of his band pushes with a ferocious violence not found in today's weaker commercial metal.
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