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Recent Articles

Recent Articles by Roy Kasten

  • Bill Morrissey

    7 p.m. Sunday, September 7. The Focal Point, 2720 Sutton Boulevard

  • Colin Gilmore

    8 p.m. Wednesday, August 28. Lucas School House, 1220 Allen Avenue

  • Blue Mountain

    8:30 p.m. Saturday, August 23. Lucas School House, 1220 Allen Avenue

  • Curtis Eller

    9 p.m. Thursday, August 14. Off Broadway, 3509 Lemp Avenue

  • Krist Krueger

    8 p.m. Sunday, August 10. Lemp Neighborhood Arts Center, 3301 Lemp Avenue

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Anais Mitchell

Friday, October 12. Mad Art Gallery, 2727 South 12th Street.

By Roy Kasten

Published on October 10, 2007

On first listen, Vermonter Anais Mitchell seems to join the parade of over-studied, over-hyped indie folkies whose little girl voices and fabulist lyrics inspire prepubescent nostalgia in Generation Ani. But first listens usually deceive, and Mitchell has more than an acoustic guitar and djembe up her righteous-babe sleeve — even if she is on DiFranco's label now. This Righteous Babe debut, The Brightness, captures urban gritscapes, lovers lost in wonder and soulful politics that would make an Obama rally cough up its last nickel. Mitchell's fleet, fingerstyle guitar-work taps into folk sources, and her melodies take those sources as far as her eccentric, bookish imagination can reach. (Which is far: She's also penned a folk opera based on Greek myths.) Mitchell may sound much younger than her 25 years, but the best of her songs defy time.



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