Most Popular

Recent Articles

Recent Articles by Jonah Bayer

  • Anti-Flag

    7 p.m. Saturday, March 29. Pop's, 1403 Mississippi Avenue, Sauget, Illinois

  • The Starting Line

    6:30 p.m. Wednesday, March 26. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.

  • The Pink Spiders

    7 p.m. Sunday, February 24. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.

  • Armor for Sleep

    7 p.m. Saturday, January 26. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.

  • Commit This to Memory

    The Minneapolis-based pop-punk act Motion City Soundtrack proves that its success is no novelty.

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Okkervil River

The Stage Names (Jagjaguwar)

By Jonah Bayer

Published on October 10, 2007

Forget Andrew Bird and Sufjan Stevens — Okkervil River's Will Sheff is a much stronger songwriter. With 2005's critically lauded Black Sheep Boy and its subsequent appendix EP, Sheff and company broke into music-geek consciousness and set the, uh, stage for their latest full-length, The Stage Names. The album doesn't waste any time getting started: Opener "Our Life Is Not a Movie or Maybe" is one of the best tracks Sheff has penned to date. The song alternates between minimalist guitars and expansive arrangements featuring singing pianos, crashing cymbals and percussive effects that drop like bombs. The rest of The Stage Names is equally brilliant, but in a more subtle way — one that requires multiple listens to digest. For every gorgeous midtempo track, there's an acoustic ballad like "A Girl in Port," which is captivating even as it slows the overall momentum. The disc's biggest success just might be the final track, "John Allyn Smith Sails." Sheff sings about lying in bed reading a piece of poetry written in 1931 — and somehow doesn't sound precious or pretentious. This type of vulnerability permeates The Stage Names, making it a transcendent slab of sound.



Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com