Recent Articles

Recent Articles by Andrew Miller

  • Coliseum

    7 p.m. Sunday, April 20. 2 Cents Plain, 1114 Olive Street

  • Sworn Enemy

    7 p.m. Tuesday, April 22. 2 Cents Plain, 1114 Olive Street

  • Tesla

    7 p.m. Saturday, February 16. Pop's, 1403 Mississippi Avenue, Sauget, Illinois

  • Oh, Sleeper

    6 p.m., Monday, January 7. Creepy Crawl, 3524 Washington Boulevard.

  • Light This City

    6 p.m. Monday, November 26. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.

National Features >

  • Broward-Palm Beach New Times

    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

Chiodos

7 p.m., Saturday, October 20. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.

By Andrew Miller

Published on October 17, 2007 at 9:23am

Songwriters commonly use the follow-up to breakthrough albums as vehicles for introspection, but Chiodos' Craig Owens gets intensely — almost uncomfortably — personal on the recently released Bone Palace Ballet, converting a former lover's unedited correspondence into lyrics ("A Letter from Janelle") and singing the phrase ("All the world's a stage") he has tattooed across his sternum. The record takes its title from a Charles Bukowski collection, and Owens' characters recall that writer's misanthropic anti-heroes, particularly when he's sabotaging his own seductive ballad by warning an interested woman, "I'm not the one that you want/I'll only let you down." Largely discarding the thunderous breakdowns from 2005's All's Well That Ends Well, Chiodos blends jutting guitar leads, piano melodies and dramatic falsetto vocals, recalling Muse instead of hardcore contemporaries. It will be interesting to see if Chiodos can reconcile its trademark spastic, goofy live vibe with its symphonically gloomy new material.


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