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Recent Articles by Roy Kasten

  • David Vandervelde

    9 p.m. Wednesday, October 15. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard.

  • Southern Culture on the Skids

    9 p.m. Friday, October 3. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City.

  • Ricky Skaggs/Bruce Hornsby

    8:00 p.m. Saturday, October 4. Touhill Performing Arts Center, One University Drive.

  • Damien Jurado

    9 p.m. Friday, September 26. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard

  • Scotland Yard Gospel Choir

    9 p.m. Saturday, September 27. Off Broadway, 3509 Lemp Avenue

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Jennifer Niceley

:30 p.m. Thursday, October 18. Lucas School House, 1220 Allen Avenue.

By Roy Kasten

Published on October 17, 2007

If you're still wondering what Billie Joe and his paramour threw off the Tallahatchie Bridge, here's an unexplored theory: It was the unborn blueprint for the music of Jennifer Niceley, a Knoxville-raised, East Nashville-based singer and songwriter with a flair for Southern gothic drama and a torch to bear for all the hearts her after-after-hours croon sends down river. With her new full-length debut Luminous, she rewrites Bobby Blue Bland's "Blind Man" as "Blind Woman," letting a luxuriant string section wash away the blues, and redefines sultry soul the way Neko Case redefines moody alt-country or Billie Holiday redefines jazz balladry. Guided by the shadowy slide and distended riffs of guitarist Joe McMahan, Niceley evokes midnight confessions, turbulent romance and a dark, flowing, mysterious lyricism.


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