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Recent Articles by Roy Kasten

  • Bill Morrissey

    7 p.m. Sunday, September 7. The Focal Point, 2720 Sutton Boulevard

  • Colin Gilmore

    8 p.m. Wednesday, August 28. Lucas School House, 1220 Allen Avenue

  • Blue Mountain

    8:30 p.m. Saturday, August 23. Lucas School House, 1220 Allen Avenue

  • Curtis Eller

    9 p.m. Thursday, August 14. Off Broadway, 3509 Lemp Avenue

  • Krist Krueger

    8 p.m. Sunday, August 10. Lemp Neighborhood Arts Center, 3301 Lemp Avenue

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Tony Bennett

8 p.m. Saturday, October 27. Fox Theatre, 527 North Grand Boulevard.

By Roy Kasten

Published on October 24, 2007

At 81 and with over 50 years of recordings under his belt, Tony Bennett is still swinging around that eternal American lamppost — and still keeping it lit with pop fire. But for all of his vocal gifts — Sinatra once called him the best singer in the business — Bennett's taste and humility (which shouldn't be confused with lack of ambition) remain his calling cards. That grace only makes last year's Duets, an overly decorous set with the blood-chilling likes of Celine Dion, Tim McGraw and Bono, a pointless footnote to one of the great second acts in American music. By any law of nature, Bennett shouldn't be able to outsing the generations who've learned from his in-around-and-upside-down-the-beat phrasing. That he can, without ever missing the soul of the beat, is cause for joy and respect.

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