Most Popular

Recent Articles

Recent Articles by Christian Schaeffer

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Suzanne Vega

9 p.m. Saturday, November 24. Blueberry Hill's Duck Room

By Christian Schaeffer

Published on November 21, 2007

 Beauty & Crime is Suzanne Vega's first record in six years and her first for the venerable jazz imprint Blue Note Records. But don't let the label fool you: Vega still turns out wry, delicate pop songs based around an upbeat acoustic guitar and breathy, placid vocals. The smartly tailored album contains some nice flourishes throughout, though; for instance, earthy reeds fill out the bridge on "New York is a Woman," a song that considers the changing face of Vega's hometown through the eyes of an enamored tourist. This theme runs through the rest of Beauty & Crime, a collection of songs whose deep fascination with the loss and hope that surrounds modern-day New York mirrors Vega's ability to pluck the sublime from the daily grind.



Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com