Most Popular
Most Popular sponsored by
Blogs
Wed Aug 20, 9:34 AM
Tue Aug 19, 2:20 PM
Wed Aug 20, 2:55 PM
Wed Aug 20, 2:38 PM
Wed Aug 20, 2:11 PM
Wed Aug 20, 9:00 AM
Wed Aug 20, 2:37 PM
Tue Aug 19, 4:29 PM
Recent Articles
Recent Articles by Michael Gallucci
8 p.m. Sunday, June 8. The Pageant, 6161 Delmar Boulevard. $20.
7 p.m. Friday, May 30. The Pageant, 6161 Delmar Boulevard
Matinée
(XL)
Let the Blind Lead Those Who Can See but Cannot Feel
(Kranky)
Rip It Off
(Matador)
No related articles found
National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Miami New Times
Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.
By Lee Klein
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
The Hives
The Black and White Album
(A&M/Octone)
Published on December 05, 2007
Hip-hop producer Pharrell Williams steps behind the boards for a pair of songs on the Hives' fourth CD. But The Black and White Album is no makeover: The band pretty much sticks to the two-chords/two-minutes principle that made it Sweden's chief contribution to the garage revival five years ago. A mid-song breakdown in "Well All Right!" and the disco stomp "T.H.E.H.I.V.E.S." are the only signs that Pharrell's space-age funk paid a visit to Howlin' Pelle Almqvist and crew. Otherwise, it's the usual amps-to-eleven and hey-does-this-rhyme? shtick ("When times are hardy — giddy up!/We throw a party — giddy up!" goes the chorus of one cut). And like all Hives records, The Black and White Album loses steam after about fifteen minutes. Still, the explosive opener "Tick Tick Boom" proves that it's good for at least one ear-ringing blast.