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Recent Articles
Recent Articles by Shae Moseley
8 p.m. Saturday, July 5. Lemp Neighborhood Arts Center, 3301 Lemp Avenue
8:30 p.m. Friday, July 4. Ozzie Smith Sports Complex, as part of the Heritage & Freedom Fest, O'Fallon
8 p.m. Monday, June 30. The Bluebird, 2706 Olive Street
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National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Roma 79
9 p.m. Wednesday, December 26. The Bluebird, 2706 Olive Street.
Published on December 19, 2007
In 2005 San Francisco's Roma 79 quietly released a very underrated album called Gold. Recorded by Carl Amburn (Traindodge, Riddle of Steel) and released by St. Louis' Ascetic Records, Gold relied on many hallmarks of Midwest post-rock — i.e. gritty, dissonant guitars, growling bass lines and huge drums. But Roma 79 sets itself apart with catchy and melodic vocals, shoegaze-inspired atmospheres and (gasp) harmony. With a new full-length on the way, the band appears to be retaining the same vocal approach, but pointing its music in a more prog-oriented direction. The new "Shapes They Had to Build" relies heavily on vintage-sounding synthesizers in the vein of Genesis — and slowly builds to a dreamy chorus, bringing to mind the highly involved arrangements of Tears for Fears.