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Recent Articles
Recent Articles by Shae Moseley
8 p.m. Saturday, July 5. Lemp Neighborhood Arts Center, 3301 Lemp Avenue
8:30 p.m. Friday, July 4. Ozzie Smith Sports Complex, as part of the Heritage & Freedom Fest, O'Fallon
8 p.m. Monday, June 30. The Bluebird, 2706 Olive Street
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8:30 p.m. Saturday, June 21. The Bluebird, 2706 Olive Street
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
I, Colossus
9 p.m. Wednesday, January 16. Bluebird, 2706 Olive Street.
Published on January 09, 2008
On I, Colossus' self-titled debut, singer, songwriter, multi-instrumentalist and producer Matthew Sandstedt manages a challenging feat: He crafts songs that could satisfy the populace at an exclusive dance club. But they also retain enough human energy and organic instrumentation to make them good candidates for a rock club stage. Sandstedt's snarly (but always pitch-perfect) falsetto channels Muse's Matthew Bellamy or even Justin Timberlake — and both comparisons make sense, considering the Minneapolis band's smooth transitions between prog-influenced arrangements and danceable pop hooks. The mid-tempo "You and I" slides dangerously close to the land of über-trendy sushi-bar electro, but its careful use of dynamics, smart chord modulations (think Kid A or Aphex Twin) and slightly dissonant guitar harmonies comes to the rescue.