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Recent Articles by Dean C. Minderman

  • Erin Bode

    8:30 p.m. and 10:15 p.m. Friday, June 13 and Saturday, June 14, and 4 p.m. and 6 p.m. Sunday, June 15 at Jazz at the Bistro, 3536 Washington Avenue

  • B-Sides takes a Jazz Journey and says hello to Ne-Yo

  • Santana

    7 p.m. Wednesday, April 23. Scottrade Center, 1401 Clark Avenue

  • Remaking Michael

    Why waste money (or steal) those bogus Thriller remixes when you can get better Michael Jackson reinventions legally — for free? Plus, the history of the classic Harlem Globetrotters song "Sweet Georgia Brown."

  • Big George Brock

    Alive At Seventy Five
    (Cat Head)

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Chris Botti

8 p.m. Friday January 18 and Saturday January 19. Touhill Performing Arts Center at the University of Missouri-St. Louis, One University Boulevard.

By Dean C. Minderman

Published on January 16, 2008

Although trumpeter Chris Botti is, by his own admission, neither a particularly daring improviser nor a bravura technician, he's carved out a highly lucrative niche in the jazz world by emphasizing melody and mood. Whether paying tribute to his Italian-American heritage on his most recent CD Italia or tackling standards from the Great American Songbook, Botti's generally good taste in tunes and his warm, burnished tone have made him a popular success without pandering to purely commercial interests. His live shows are enhanced greatly by a band stocked with first-rate jazz players, including the versatile drummer Billy Kilson and pianist Peter Martin, a St. Louis native who joined Botti's group last year after a long stint as musical director for singer Dianne Reeves.



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