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Recent Articles
Recent Articles by Dave Segal
8 p.m. Friday, July 4. Live Off the Levee, Soldiers Memorial, 1315 Chestnut Street
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National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Giant Bear
9 p.m. Wednesday, February 6. Off Broadway, 3509 Lemp Avenue.
Published on January 30, 2008
Just when you think Americana might get sucked dry by anemic Nashville and Austin rejects and coffee-house politesse, the vast synthesizing power of roots music — and the equally wide inspiration of punk — collides in Giant Bear. The omnivorous Memphis quintet incorporates cello drone, mandolin trills, electric chime, pedal steel, baritone sax charts, and semi-occult story lines and melodies (all of which recall the Walkabouts and Lone Justice), even as it stumbles through orchestral maneuvers in the current indie dark. Giant Bear overcomes sonic schizophrenia with its country soul, but only if you define "country" as a space for adventure, and only if you define "soul" as a willingness to risk failure, song to song and sound to sound.