Most Popular
"Most Popular" tools sponsored by:
Blogs
Thu Jul 3, 1:33 PM
Thu Jul 3, 11:27 AM
Fri Jul 4, 6:00 PM
Fri Jul 4, 4:00 PM
Thu Jul 3, 4:22 PM
Thu Jul 3, 2:09 PM
Thu Jul 3, 2:50 PM
Wed Jul 2, 12:01 PM
Recent Articles
Recent Articles by Roy Kasten
8 p.m. Friday, July 4. Live Off the Levee, Soldiers Memorial, 1315 Chestnut Street
9 p.m. Thursday, July 3. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City
10 p.m. Friday, June 27. Broadway Oyster Bar, 736 South Broadway
8 p.m. Sunday, June 22. Off Broadway, 3509 Lemp Avenue
Related Articles
8 p.m. Monday, February 11. The Pageant, 6161 Delmar Boulevard
Let Us Now Praise Sleepy John (Yep Roc)
Sunday, June 17; Pageant
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Richard Thompson
8 p.m. Monday, February 11. The Pageant, 6161 Delmar Boulevard
Published on February 06, 2008
Unless you're a Boeing shareholder or a John McCain strategist, you'll agree that the Iraq War hasn't been good for shit. Still, that five-year nightmare has sired some lyrical greatness (including Tom Waits' "Day After Tomorrow" and Steve Earle's "Rich Man's War" for starters). Add Richard Thompson's "Dad's Gonna Kill Me" to that playlist, as it's a vicious triple entendre ("Dad" could refer to a higher power, a grunt's father or just ol' Death himself) that matches a breathless delivery with the post-folk-rock guitar spray that Thompson alone has mastered. With the exceptions of Dylan and Young, no rock & roll child of the '60s has remained as vital, productive and demanding as King Richard. After all, few other musicians alive would venture "1000 Years of Popular Music" — as Thompson is billing the show — and triumph over the absurd concept.