Most Popular
Most Popular sponsored by
Blogs
Fri Sep 5, 10:09 AM
Thu Sep 4, 2:50 PM
Fri Sep 5, 11:56 AM
Fri Sep 5, 11:00 AM
Fri Sep 5, 11:39 AM
Fri Sep 5, 9:28 AM
Thu Sep 4, 1:38 PM
Thu Sep 4, 11:02 AM
Recent Articles
Recent Articles by Dean C. Minderman
8:30 p.m. and 10:15 p.m. Friday, June 13 and Saturday, June 14, and 4 p.m. and 6 p.m. Sunday, June 15 at Jazz at the Bistro, 3536 Washington Avenue
7 p.m. Wednesday, April 23. Scottrade Center, 1401 Clark Avenue
No related articles found
National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Westword
How William Orr's quest for better, cheaper gas became a crime.
By Alan Prendergast
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
Big George Brock
Alive At Seventy Five
(Cat Head)
Published on March 12, 2008
Big George Brock is in fine form on this set, which was recorded in May 2007 at the Ground Zero Blues Club in Clarksdale, Mississippi. Alive brings the electric style defined in 1950s Chicago back to its rural roots to create a hybrid combining aspects of both country and city blues. Mixing original songs with a handful of covers, Brock sings with authority and depth, evoking (rather than imitating) the sound of his musical heroes Muddy Waters and Howlin' Wolf, and he blows a spare yet eloquent blues harp that says more with one note than lesser players can say with a hundred. He's ably abetted here by a highly sympathetic band, starting with drummer Riley Coatie Jr., and bass player Barry Bays — both of whom provide an unflagging and powerful pulse, but yet can also turn on a dime to follow Brock's sometimes idiosyncratic improvisations (which alternately compress and stretch the twelve-bar blues form). Meanwhile, guitarists Riley Coatie Sr. and Bill Abel carry on an energetic dialogue with Brock, the rhythm section and each other, serving up both chattering commentary and cacophonous crosstalk. It all adds up to a satisfying hour of real-deal roots music that should delight blues lovers everywhere.