Most Popular

Most Popular sponsored by

Recent Articles

Recent Articles by Christian Schaeffer

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Matt Pond PA

9 p.m. Thursday, March 13. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City.

By Christian Schaeffer

Published on March 12, 2008

Consider Matt Pond PA to be the Honda Accord of the rock & roll superhighway: not flashy or sexy, but consistently dependable. The New York City quintet's latest record, Last Light, continues the movement away from mannered, cello-enhanced chamber-pop and toward bouncy, reflective indie-rock. While this takes away much of what made the band originally stand out, the seemingly bottomless cache of hooks and melodic breakdowns help preserve the magic of its earlier records. Pond's gently weathered voice is at the forefront on most of these tracks, such as the folksy, jaunty "Wild Girl" and the string-laden "Foreign Bedrooms." You know, the kind of stuff that sounds great coming from the tape deck of your reliable old Honda.



Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com