Most Popular

Recent Articles

Recent Articles by Christian Schaeffer

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Xiu Xiu

9 p.m. Monday, March 31. Lemp Neighborhood Arts Center, 3301 Lemp Avenue

By Christian Schaeffer

Published on March 26, 2008

While major-label bands can always look forward to the career-spanning greatest hits cash-in, bands that labor in the upper limits of indie-dom have their own brass ring to reach for: the remix album. Such an honor was bestowed upon emo/art-rock band Xiu Xiu with last year's Remixed and Covered, which found people like Kid606, Devendra Banhart and Marissa Nadler taking their shot at the band's fragile, loaded songs. Xiu Xiu is perfectly suited for this kind of treatment, because its minimalist electro glitches and spare guitars leave plenty of room for deconstruction and reinterpretation. Jamie Stewart's vocals remain claustrophobic, coy and utterly beguiling on this year's Women as Lovers, though dizzying rhythmic clusters and sideways noise-bursts push the intensity ever higher. The relatively faithful cover of "Under Pressure" acts as a release valve at the album's midpoint, as Stewart and Swans mastermind Michael Gira release their inner David Bowie and Freddie Mercury.



Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com