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Recent Articles by Paul Friswold

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Notes from Home

By Paul Friswold

Published on April 02, 2008

Americans, being justly proud of their country, tend to think of immigrants and refugees as people who come to America for a better life. It’s supposed to be a permanent situation, too; why would anyone return to their former home country once they’ve experienced the possibilities of America? And yet Faris, a soon-to-be-college graduate who has lived in St. Louis since the age of five, is heading back to Bosnia on family business. The clan’s old apartment has been taken over by a Croatian, and he must reclaim it. America is his future and Bosnia is his past — and yet this is not the Bosnia of his memory. Or maybe it is, and the difficulty is that he’s not the same Faris that left it. The difficulties of negotiating personal identity are the subject matter at the heart of Christina Pippa’s play, Little Bosnia. Commissioned by Avalon Theatre Company and based on Pippa’s extensive interviews with members of St. Louis’ Bosnian and Croatian communities, Little Bosnia receives its world premiere this weekend at the Union United Methodist Church (3543 Watson Road; 314-351-6482 or www.avalontheatre.org). Show times are 8 p.m. Thursday through Saturday and 3 p.m. Sunday (April 10 through 20), and tickets are $20 to $25.
Thursdays-Sundays. Starts: April 10. Continues through April 20, 2008

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