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Recent Articles by Paul Friswold
Its a Sailors Grave for me, me bucko
It's back in a big way
May '68 Seems Familiar
Solitude, sex and cerveza
It can be done
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National Features >
SF Weekly
Former pros from Latin America help make an "amateur" soccer team unstoppable.
By Lauren Smiley
Houston Press
A growing number of educators face a hard truth: not every kid is college material.
By Todd Spivak
Miami New Times
A Florida man sues his girlfriend-for dumping him.
By Isaiah Thompson
As a teacher at Washington University, as a mentor to young writers, as a friend to established writers,
Donald Finkel wanted others to find their own voices to hew their own path through life, and not imitate what had been done. Finkels pioneering use of book-length poems not in the epic narrative sense, but more a great mosaic of imagery, sense and sound was something unimagined until he imagined it. His shorter work strikes with a cutting tone and clarity that blends his New York upbringing with years spent in the Midwest, a cadence not easily mastered by those who havent done the same. Finkels is a singular, American voice, stilled now by disease yet eternally sharp and alive on the page. One sings,/not what was, but that it was, Finkel wrote in An Aesthetic of Imitation, addressing the poets role as recorder and celebrant of life. And so tonight at 8 p.m. at Duffs Restaurant (392 North Euclid Avenue; 314-361-0522 or
www.dineatduffs.com; free), Finkels long celebration will be marked by more than 30 local poets. Howard Schwartz, Nan Sweet, Shirley LeFlore and other former students and fellow admirers each read three of their favorite Finkel poems, singing again and again that he was.
Mon., April 7, 2008