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  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

The Cops

9 p.m. Saturday, April 19. The Bluebird, 2706 Olive Street

By Shae Moseley

Published on April 16, 2008

The Cops' sophomore effort Free Electricity accomplishes an interesting feat: It manages to deliver a brutal package of abrasive, dirty rock & roll — think the energy of the Hives crossed with a hint of Mudhoney's sloppy dissonance — but also contains subtly danceable elements. Shakers, tambourine and propulsive beats accent growling bass lines and searing guitars on songs such as "Them Cats" and "Light It Off," calling to mind the Clash's more groove-oriented moments. But what really makes the Seattle quintet stand out is its ability to write songs that sound urgent and politically charged — without pointing fingers or letting listeners off the hook.



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