Most Popular

Recent Articles

Recent Articles by Christian Schaeffer

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Destroyer

9 p.m. Wednesday, April 30. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City

By Christian Schaeffer

Published on April 23, 2008

Destroyer has long been the solo project of Dan Bejar, erstwhile New Pornographer and avid chronicler of the absurdities of modern art and modern life. A decadelong discography reveals many permutations of what could be called "the Destroyer sound," but his past few records have presented a clearer, more unified vision. For the recording of the recently released Trouble in Dreams, Bejar wisely retained the quartet that backed him on 2006's Destroyer's Rubies, which allowed him to build on the florid lushness and well-tempered madness of that breakthrough album. Nicholas Bragg's lead guitar provides regular shocks of Televsion-esque squalls, while Ted Bois ties things together with graceful keyboard figures (note the Baroque breakdown on "The State"). The band kicks, but Bejar remains the center of attention, with his magnetic, elastic voice conveying hidden universes through obtuse, confounding and utterly beguiling lyrics.



Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com