Most Popular

Most Popular sponsored by

Recent Articles

Recent Articles by Shae Moseley

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Margot & the Nuclear So and So's

8 p.m. Wednesday, May 7. Lucas School House, 1220 Allen Avenue

By Shae Moseley

Published on April 30, 2008

Margot & the Nuclear So and So's frontman Richard Edwards' trembling vocal style has always been likened to other heart-on-sleeve indie troubadours such as Conor Oberst — while the seven-piece musical collective which backs him will always draw knee-jerk comparisons to the Arcade Fire. But a song like "Vampires in Blue Dresses" (from 2006's spectacular, overlooked The Dust of Retreat) packs an emotive punch and heart-wrenching honesty that validates his band's often melodramatic chamber pop. With the recent move to a major label and the full-length Animal! due in July, the band has a lot to prove to its new corporate overlords. Still, live footage of new song "Love Song for a Schuba's Bartender" — with its ethereal keyboard drone, lonely harmonica and sparse orchestral drum-bursts — should satisfy Margot's loyal indie fan base.



Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com