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Recent Articles

Recent Articles by Roy Kasten

  • David Vandervelde

    9 p.m. Wednesday, October 15. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard.

  • Southern Culture on the Skids

    9 p.m. Friday, October 3. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City.

  • Ricky Skaggs/Bruce Hornsby

    8:00 p.m. Saturday, October 4. Touhill Performing Arts Center, One University Drive.

  • Damien Jurado

    9 p.m. Friday, September 26. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard

  • Scotland Yard Gospel Choir

    9 p.m. Saturday, September 27. Off Broadway, 3509 Lemp Avenue

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Joss Stone

8 p.m. Friday, July 4. Live Off the Levee, Soldiers Memorial, 1315 Chestnut Street

By Roy Kasten

Published on July 02, 2008

With her 2003 debut The Soul Sessions, Joss Stone rode the neo-soul revival wave like a long-funk-fed veteran, not a sixteen-year-old British neophyte. With last year's Introducing Joss Stone she tried to say goodbye to all that choreographed revivalism. She sounds a little more samplified, a little more turntabled, a little more reliant on modern R&B values of stacked vocal choruses, cuddly vocal cues and cameos by Common. Mostly, Stone sounds like herself: a soul moaner with a deep throat of gold and an insatiable rhythmic instinct. Dance floor killers like "Put Your Hands On Me" meet breathy sex-you-up-and-downs like "Tell Me What We're Gonna Do Now" and it all sounds too, too hot. One almost forgets that as a songwriter, she's an irresistibly powerful singer.



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