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National Features >

  • Broward-Palm Beach New Times

    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

Melissa Etheridge

8 p.m. Monday, August 11. Fox Theatre, 527 North Grand Boulevard

By Julie Seabaugh

Published on August 05, 2008 at 1:00pm

With a rich, warm and full voice and dedication to self-empowerment, her output and influence were already impressive. But in the past four years, Melissa Etheridge has become something else altogether, a dedicated fighter whose weapon of choice is socially conscious yet uplifting guitar-rock anthems. From love songs to highly personal screeds against cancer, global warming, poverty, child abuse and more, the multiplatinum Grammy winner has transformed into a classic protest singer in the timeless mold of Springsteen, Dylan, Neil Young or even Woody Guthrie, all while operating in an industry that (barely) profits on superficial trends, no less. Impressive before, at ten albums in she's damn near legendary.



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